Indicators on exclusive extracts 0 27 You Should Know
Notions of looking and voyeurism are resolved spatially and architecturally in “Good For Me.” In this collection, swooping lines make a type of peephole outcome that reveals Mundt in two unique poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings from the exhibition, is